If airports are the ghost towns of the future, Black Moth Super Rainbow is already there, playing an all night party amidst crumbling walls, deserted storefronts, and lines of empty chairs. Mechanically processed vocals floating through distorted synthesizer riffs somehow manage to sound warm and friendly. Shadows shift as people filter in and the desolation is slowly replaced with dancing. It seems entirely possible that an alien spacecraft could land on the cracked tarmac at any moment, amidst echoes of the drum machine. Utne Reader reviews Black Moth Super Rainbow’s Cobra Juicy.

If airports are the ghost towns of the future, Black Moth Super Rainbow is already there, playing an all night party amidst crumbling walls, deserted storefronts, and lines of empty chairs. Mechanically processed vocals floating through distorted synthesizer riffs somehow manage to sound warm and friendly. Shadows shift as people filter in and the desolation is slowly replaced with dancing. It seems entirely possible that an alien spacecraft could land on the cracked tarmac at any moment, amidst echoes of the drum machine.