In Praise of Fallow Fields: An architect embraces the slowdown — The economic downturn hit my architecture business hard. For years, I had a running list of clients waiting for me to design their projects, but now the backlog is gone. I live and work only in the present tense, unsure of the outlook next year or even next month. This loss can be awkward to discuss with friends and colleagues. I see pained looks flicker across their faces when I answer “How’s business?” with an unequivocal “Really slow.” For my part, though, I am learning to embrace the slowdown for its cathartic qualities. The stillness holds another kind of wealth—one of reflection, grounding, and opportunity. I have come to appreciate the fallow period.






![(via Designboom)
The Walker [Art Center] presents the latest phase and first us exhibition of Baby Marx, an ongoing project by Mexican artist Pedro Reyes that looks at the potential for mass entertainment to operate as a radical educational tool. An architect by training, Reyes works across platforms and disciplines—including design, installation, and video—to explore sites and scenarios of collective interaction. Originally conceived for television, Baby Marx is set in a small town library where a group of precocious children have brought Karl Marx and Adam Smith back to life by zapping their influential books in a glitch-prone ‘smart-o-wave’ microwave oven. The founders of communism and the free market confront each other and their legacies, haunted by the twin specters of Joseph Stalin and Bernie Madoff, as well as the latest global economic crisis.](http://25.media.tumblr.com/tumblr_lqhm91FN781qap6kyo1_500.jpg)